The MA in Creative Practice is an adaptable, professionally focused program. It is designed for students with a background in studio art who seek to deepen their expertise across disciplines such as animation, ceramics, drawing, graphic arts, illustration, painting, performance, photography, printmaking, sound, video, and more.
This interdisciplinary program is ideal for those who wish to build on studio experience and gain advanced credentials without committing to a terminal degree such as an MFA. Students can complete the residential program in one year while attending full-time or in 12-24 months while attending part-time.
Whether you are looking to advance your career in a creative field, prepare your portfolio for further study in an MFA program, or further develop your art practice, the customizable and flexible nature of this program allows you to focus on your areas of interest and achieve your individual goals. As part of the program’s core requirements, you’ll complete upper-level studio and liberal arts courses at SMFA at Tufts, located in the Fenway neighborhood of Boston, and the Graduate School of Arts and Sciences. Artists will complete a final creative project and participate in a public artist talk.
In addition to the general application requirements, the program requires the following supplemental information:
Official TOEFL, IELTS, or Duolingo English Test scores, if applicable: A minimum TOEFL score of 90 (iBT), IELTS score of 6.5, or Duolingo score of 100 is required for admission.
GSAS bills tuition using a per-credit billing model, meaning you are billed for the number of credits you take each semester. This billing model is used to provide students better flexibility so they may "pay-as-they-go".
| Tuition* | $1,270 per credit |
| Total Credits Required | 30 |
| Enrollment Status | Part-Time: 3-6 credits (typically 1-2 courses) Full-Time: 9+ credits (typically 3 or more courses) |
This example pathway outlines estimated tuition costs per semester using a typical full-time course load. This is one possible pathway to completion; actual credits, costs, enrollment status, and degree completion time may vary based on a student’s course load.
| Full-Time Pathway | Fall | Spring | Total |
| Year 1 | 15 credits | 15 credits | 30 credits |
| $19,050 | $19,050 | $38,100 | |
| Estimated Total Tuition Before Aid* | $38,100* | ||
Note: this example does not account for any scholarships that may be awarded at the time of admission. GSAS offers generous merit- and need-based tuition scholarships for qualified applicants. A list of funding opportunities is provided below.
*Estimated based on 2025-2026 tuition rates. Rates are subject to change each academic year. For further information about the full cost of attendance, including health insurance, fees and estimated indirect costs (housing, transportation, etc.), visit Student Financial Services.
At Tufts University, we believe that every qualified applicant should have the opportunity to pursue graduate study, regardless of financial circumstances. We are committed to helping you navigate the financial aspects of your education and strive to make graduate school accessible through a variety of support options.
Visit our Graduate Financial Aid page for information on loans and financing options.
Creative Practice is an interdisciplinary, studio‑based approach to making art that emphasizes ongoing artistic development, experimentation across media, and professional growth. In the MA in Creative Practice at Tufts, students deepen and expand their existing studio practice through advanced coursework, critiques, mentorship, and a final creative project and public artist presentation. Utilizing the school's interdisciplinary curriculum, students have the option to expand their practice into new areas, or focus their course credits in one area to earn a concentration. Creative Practice encourages students to build an individualized curriculum, exploring form, idea, and method while developing a cohesive body of work and a sustainable professional direction.
The MA in Creative Practice is designed for artists with prior studio experience who want to advance their practice, strengthen their portfolio, or gain an advanced credential without committing immediately to a terminal degree such as an MFA.
This program may be a strong fit for:
Graduates of the MA in Creative Practice pursue a wide range of creative and professional paths. The program supports students who want to advance in creative fields, strengthen their artistic voice, or position themselves for further academic study.
Alumni commonly use the degree to:
The program culminates in a final creative project and public artist talk, reinforcing both artistic and professional communication skills.
Yes. One common pathway for graduates of the MA in Creative Practice is to apply to MFA programs. The MA is intentionally structured to help students strengthen their portfolios, clarify their artistic direction, and gain advanced studio experience that can support future applications to terminal degree programs. At the same time, the MA in Creative Practice is also designed to stand on its own as a professionally focused degree for artists who do not plan to pursue an MFA.
No. The MA in Creative Practice is a non‑terminal degree. It is designed to support professional development, portfolio building, and preparation for further study, including MFA programs.
The MA in Creative Practice is a flexible, professionally focused degree that allows students to advance their studio work over one-year, without the longer time commitment or terminal degree requirement of an MFA.
An MFA takes two years to complete and is considered the terminal degree for studio arts and is often required for teaching credentials or academic careers, while the MA supports a broader range of professional and creative goals.
Students can complete the degree in one year of full‑time study or over 12 to 24 months on a part‑time basis, depending on course load.
SMFA at Tufts undergraduates can complete this degree as part of the Fifth-year Master’s Program.
Students take upper‑level studio art courses through the School of the Museum of Fine Arts at Tufts in Boston and liberal arts electives through the Graduate School of Arts and Sciences at our Medford campus.
Research/Areas of Interest: digital media, history, representation, videogames, 3d, painting
Research/Areas of Interest: Ecology, Artistic Upcycling, Recycling,
Research/Areas of Interest: Her research spans many forms of visual culture: she has published and presented on how new scientific approaches to the unconscious mind informed the work of American artists and critics in the early 20th century; on poetic satire and pictorial criticism of modernism in the 1916 Spectra hoax; on transatlantic encounters with the oceanic commons in art; on coordinated human and animal aesthetics in millinery fashion; and on the fabrication and perception of fly fishing lures, among other examples of 19th century 'ecologies of mind.'
Research/Areas of Interest: He specializes on the sculpture and architecture of the Mexica (Aztec) and socio-political history and visual culture of colonial Mexico. His interests include visual manifestations of indigenous governance, Pre-Columbian architecture and urbanism, global interactions of the sixteenth and seventeenth century, colonial and post-colonial visual strategies, Open Churches of Sixteenth Century Mexico, the Habsburg empire, kunstkammer, museum studies, and modern architectural history.
Research/Areas of Interest: My research focuses on co-creation and collective knowledge production through interdisciplinary creative practices and participatory action research. This work encompasses civic engagement, socially engaged art, and social practice art, and explores the aesthetics of protest and social justice within the context of intersectional feminism. I address cycles of violence, migration and displacement, discrimination, and advocate for LGBTQIA+ rights, animal rights, and the prevention of sexual assault and violence against women.
Research/Areas of Interest: Animation and Filmmaking, New Media, Decolonisation
Research/Areas of Interest: Print Media, Multiples, Performance, Sculpture, Installation, Site-Responsive Projects, Writing, Sound, Graphics, Publications, Ephemera
Research/Areas of Interest: In my work, I access contemporary social issues by making connections with personal narratives, history, and popular culture. I freely combine research methodologies and artistic strategies from various disciplines such as photography, documentary, graphic design, performance, storytelling, installation, and social interventions. My work is project based. I draw from academic research as much as intuitive explorations in the graphic arts. I explore projects over the span of several years the work can transform into exhibitions, installations, publications, performances and street happenings. . As I approach my work from a conceptual frame, the form is wide ranging; fabric banners, to ceramic plates, oil paintings produced in factories, resin cast sculptures and news media ads. Often the project culminates in an artist's publication. Educated as a designer I've used the computer since the mid-80s and was actively participating in the digital revolution that came through image manipulation software, desktop publishing, internet communication, web publishing and more recently mass customization. Text and language is an inherent part of my work; interviews, personal narrative, found text, all have the potential to contextualize the imagery. The book format allows me to develop an idea in much greater detail and create dialogues outside art establishments where it can reach a wider audience. With my collaborator (and husband) Mike Mandel, I actively interact with the media as part of the work. We have given press conferences and staged street events to open the work to a non-art audience. . Under the imprint of Eighteen Publications, Mike and I have self-published several artist's books. Our combined skills in photo, graphic design, printing and publishing enables us the artistic freedom from the industry. We are committed to create works of art that are cheap and accessible to a wider audience. As my studio practice evolves, I have embraced the rapid changes in technology and in recent years I've also used print-on-demand technology and Risography along with offset printing to produce and distribute my work.