The Tufts University PhD Program in Theatre and Performance Studies trains scholar-artists to develop thoughtful and exciting research projects in performance studies, theatre and dance history, critical theory, and textual analysis. Our faculty specialize in illuminating how social and cultural formations — particularly gender, race, indigeneity, ethnicity, sexuality, colonization, religion, and class — inform performance both on and off stage. In turn, we support and celebrate interdisciplinary scholarship from our graduate students that centers shared concerns of performance, such as the body, repetition, liveness, and visuality, while at the same time taking up concerns in outside fields of inquiry.
Accepted students are guaranteed five-years of funding, which includes one year of fellowship and four years of teaching assistantships.
Through seminars and co-curricular programming, the Theatre and Performance Studies PhD program offers professional development opportunities in order to prepare graduate students for a wide variety of careers. As a graduate student in the program, you will engage in academic life in a variety of ways, including teaching, conducting research, publishing work, editing, directing staged productions, and more based on your interests.
Opportunities to develop and teach courses in students' areas of specialization exist within the department, at Tufts' acclaimed Experimental College, and through adjunct appointments across Greater Boston. Additionally, students serve as performance makers on campus and throughout Greater Boston.
Our students publish their work in leading journals, present at international conferences, and hold membership in professional organizations, including American Society for Theatre Research (ASTR), the Association for Theatre in Higher Education (ATHE), Dance Studies Association (DSA) and Performance Studies International (PSi). Students receive travel and research support on an annual basis, courtesy of the Sherwood Collins Fund.
Faculty believe in a wide variety of possibilities for life after earning a PhD, and offer strategies for navigating the academic job market as well as alternative job markets for students who wish to pursue careers in arts administration, editing, grant writing, higher education administration, library studies, publishing, technical writing, arts entrepreneurship, and the corporate sector.
See Tuition and Financial Aid information for GSAS Programs.
Gender, race, ethnicity, sexual identity, and class function as primary subjects of scholarly and performative inquiry for many projects undertaken by faculty and students alike. We believe that people of color, individuals living with disabilities, queer and trans people, and first-generation students produce new ways of looking and knowing, and we welcome students from underrepresented communities.
Research/Areas of Interest: Critical Indigenous Studies, Performance Studies, Gender and Sexuality Studies
Research/Areas of Interest: American popular entertainment, musical theatre, women in theatre, the Holocaust/Genocide on stage and screen, voice and speech, stage directing, theatre and social change
Research/Areas of Interest: Performance Studies; queer studies; South Asian studies